Instrument Type: Cello
Circa: 1969
Asking Price: SOLD
Maker: Max Frirsz
The Cello
This Max Frirsz cello from 1969 comes from New York. It bears no label. Instead, Max signed it on the inside of the top.
The cello follows the Montagnana model. That choice matters to players. In particular, Montagnana cellos have long served as favorite patterns for makers who want a broad, generous design.
The wood also stands out. Frirsz chose beautifully flamed maple for the back, ribs and scroll. As a result, the cello shows strong figure from several angles. Meanwhile, the top uses spruce with very even grain.
Even grain in the top often signals careful wood selection. So the materials here point to a maker who cared about each part of the build. Likewise, the matched flame across back, ribs and scroll gives the cello a unified look.
For a cellist, a Max Frirsz cello from 1969 offers a classic model and handsome materials from an American maker. Overall, it makes a strong case for New York work of that era. Today, it has found a new home.
The Maker
Max Frirsz worked in New York, where he made this cello in 1969. At that time, the city served as a major center for string players, dealers and makers. Therefore, a New York maker worked close to some of the most demanding players in the world.
His signature inside the top tells us something about his practice. Instead of relying on a label, he left his name where it would stay with the instrument. Thus, the signature gives this cello a direct link to its maker.
His choice of the Montagnana model also shows his taste. Indeed, he paired a respected Italian pattern with flamed maple and even spruce. In short, this 1969 cello by Max Frirsz reflects a maker who valued both tradition and fine materials.
Terms of Sale
This cello has sold, so it is no longer available for purchase. Benning Violins invites you to browse our current catalog of fine cellos. You can also contact us directly to ask about similar pieces.